University of Miami - Music Engineering Technology

The L. Austin Weeks Recording Studio is a professional audio recording facility that is the heart of the Music Engineering program at UM. It has several isolation areas for different types of instrumental performance needs, including a drum booth, vocal alcove, and sound lock. The main studio is spacious enough for string sections and other group performance needs. It features a high ceiling and Baldwin grand piano.

The control room houses a 48 fader Euphonix console. The Euphonix System 5 is an all digital board that boasts 24kbit, 96khz recording capabilites and support for 5.1 surround mixing. For details on the control room specifications, please see the equipment list. You can also view a partial list of our microphone selection. There is also an integrated "house sync" for video, digital multi-track, ProTools and MIDI synchronization.

The studio is used for coursework and hands-on workshops. Freshman students take workshops on the basics of music recording their first semester and on studio technology/maintenance their second semester. During the sophomore year, students take classes where they alternate between performing and recording songs. During thier sophmore year, students have the ability to earn a studio license and book their own studio sessions. In addition, junior year students learn about audio for video and the use of the studio’s synchronization and post-production capabilities.

Junior and senior students can pursue more sophisticated studio production techniques with a combination of advanced workshops, their own session work, and also by working on the engineering staff in cooperation with the jazz and writing/production students. The Weeks Recording Studio at the University of Miami is truly an ideal place for Music Engineering students to gain practical hands-on experience in preparation for careers in the audio and recording industries.

ProTools 24Mix Plus Hard-disk recorder
Glyph hot-swappable drive bay
Alesis ADAT
CD and DAT recorder
Power Mac G4 733Mhz with 768MB SDRAM
Sony APR-24 Analog multi-track
Sony ARP 5000 Analog 2-track

Monitors

Mains - Genelec 440A
Nerfields - Genelec 1030A, Yamaha NS-10, K-Rok, Event
Yamaha, Westlake and Event near-field monitors
Huge Subwoofers

Signal Processors

Lexicon 480L
Lexicon 300
Eventide Ultra-Harmonizer
TC Electronic M5000 signal processing unit
Summit Audio Tube Leveling Amplifiers TLA 100A
Drawmer gates, noise filters, and spectral compressors
DBX compressors (166A, 165A)
Sony M7 and F7 signal processors
GML model 8200 stereo EQ
Tube Tech PE1C EQ
Tube Tech CL 1B compressor
Eventide clockworks phasor
Urei 1176 LN Limiter
TC Electronics Finalizer 96K

MIDI & Video

Motu Digital Timepiece
Motu MIDI Timepiece
Opcode 8 Port S/E
Logic/Cakewalk Sequencers
Sony UVW-1806 Beta SP Video Recorder

University of Miami - Music Engineering - Coral Gables, FL
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