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Pohlmann - Principles of Digital Audio - Table of Contents |
| Ken Pohlmann
|
Main Page Preface  Introduction
Chapter 1 - Sound and Numbers Physics of Sound Sound
Pressure Level Harmonics Digital Basics Number
Systems The Binary
Number System Binary Codes Weighted
Binary Codes Unweighted
Binary Codes Two's Complement Boolean Algebra Analog Versus Digital Chapter 2 - Fundamentals of Digital
Audio Discrete Time Sampling The Sampling Theorem The Nyquist
Frequency Aliasing
Prevention Quantization Signal-to-Error
Ratio Quantization
Distortion Other
Architectures Dither Types of
Dither Conclusion Chapter 3 - Digital Audio Recording Pulse-Code Modulation Dither Generator Input Lowpass Filter Sample-and-Hold Circuit Analog-to-Digital Converter
Successive Approximation A/D Converter Oversampling
A/D Converter Record Processing Channel Codes Simple Codes Group Codes Code
Applications Chapter 4 - Digital Audio
Reproduction Reproduction Processing Digital-to-Analog Converter Weighted-Resistor
Digital-to-Analog Converter R-2R Ladder
Digital-to-Analog Converter Zero-Cross
Distortion High-Bit D/A
Conversion Output Sample-and-Hold Circuit Output Lowpass Filter Impulse Response Digital Filter Noise Shaping Output
Processing Alternate Coding Methods Floating-Point
Systems Block
Floating-Point Digitization Nonuniform
Companding Systems m-Law
and A-Law Companding Differential
PCM Systems Delta
Modulation Adaptive
Delta Modulation Companded
Predictive Delta Modulation Pulse-Code
Modulation Timebase Correction Jitter Interface
Jitter Versus Sampling Jitter Jitter in
Storage Media Jitter in
Data Transmission Jitter in
Converters Chapter 5 - Error Correction Sources of Errors Objectives of
Error Correction Error Detection One-Bit
Parity ISBN Cyclic Redundancy Check Code Error-Correction Codes Block Codes Convolutional
Codes Interleaving Cross-Interleaving Reed-Solomon Codes Cross-Interleave Reed-Solomon Code Error Concealment Interpolation
Muting Duplication Chapter 6 - Magnetic Tape Storage Recording Bandwidth Digital Magnetic Tape Intersymbol
Interference Longitudinal
Magnetic Recording Vertical
Magnetic Recording Stationary Head Tape Recorders The DASH
Format Rotary Head Tape Recorder Operation of
a Videotape Recorder The Digital
Audio Processor Professional
Digital Video Formats ADAT Modular
Digital Multitrack DA-88 Modular
Digital Multitrack Advantages
and Disadvantages of Rotary Head Design Chapter 7 - Digital Audio Tape (DAT) DAT Cassette DAT Modes DAT Hardware Design Rotary Head Track Format Azimuth
Recording Automatic
Track Following Eight-to-Ten Modulation DAT Error Correction Serial Copy Management System Prerecorded DAT Professional DAT DAT
Interfacing DAT Timecode Professional
DAT Features Chapter 8 - Optical Disc Storage Optical Phenomena Diffraction Resolution of
Optical Systems Polarization Design of Optical Media Performance
of Optical Media Nonerasable Optical Storage Read-Only
Optical Storage Write-Once
Optical Storage Erasable Optical Storage Magneto-Optical
Recording Phase-Change
Optical Recording Dye-Polymer
Erasable Optical Recording Digital Audio for Theatrical Film Chapter 9 - The Compact Disc Invention of the Compact Disc Compact Disc Overview Disc Encoding
Disc Specifications
Data Encoding Player Optical Design
Optical Pickup
Autofocus Design Autotracking
Design
One-Beam Pickup
Pickup Control Player Electrical Design Error
Detection and Correction Output
Processing Subcode Disc Manufacturing
Tape Mastering Disc
Mastering
Electroforming
Disc Replication Alternative CD Formats
CD-ROM
CD-R CD-RW
CD-MO
CD-i
Photo CD CD+G and
CD+MIDI
CD-3
Video CD Super Audio CD
DSD Modulation
Player Design Chapter 10 - Perceptual Coding Psychoacoustics Physiology of the Human Ear and
Critical Bands Threshold of
Hearing, and Masking Rationale for
Perceptual Coding Data Reduction Coding Subband
Coding Transform
Coding Filter Banks MPEG-1 Audio Standard Psychoacoustic
Models Layer I Example of
Layer I Algorithm Layer II Layer III MPEG-2 Audio Standard MPEG-2 AAC AC-3 (Dolby Digital) Coder apt-X100 Coder Perceptual Coding Performance
Evaluation Conclusion Chapter 11 - DVD Introduction DVD Physical Specifications Disc
Manufacturing and Playback Data Coding Universal Disc Format (UDF) DVD-Video Video Coding Audio Coding Playback
Features DVD-Video
Copy Protection DVD-Video Developer's Summary DVD-Audio Coding and
Channel Options Disc Contents Copy
Protection DVD-Audio Developer's Summary Data Compression
Entropy Coding Audio Data
Compression Meridian Lossless Packing (MLP) Other DVD Disc Formats Chapter 12 - The MiniDisc System Overview Signal Format Disc Design Optical Pickup MO Recording and Field Modulation ATRAC Data Reduction Disc Mastering and Manufacture Chapter 13 - Interconnection Audio Interfaces SDIF-2 Interconnection Alesis Multichannel Optical Digital
Interface AES3 (AES/EBU) Professional Interface Channel
Status Block Implementation AES10 (MADI) Multichannel Interface S/PDIF Consumer Interconnection Serial Copy
Management System AES11 Digital Audio Reference Signal AES18 User Data Channels AES24 Control of Audio Devices Sample Rate Converters Fiber-Optic Cable Interconnection Fiber-Optic
Systems Fiber-Optic
Cable Implementation Interconnection
and Installation Economics of
Fiber Optics Chapter 14 - PC Audio PC Buses and Interfaces IEEE 1394
"FireWire" Universal
Serial Bus (USB) Sound Cards Musical
Instrument Digital Interface (MIDI) Music
Synthesis Surround
Sound Processing Audio Codec
'97 (AC '97) Windows Multimedia API and DirectX API MMX File Formats Digital Audio Extraction Hard-Disk Recording System
Features Hard-Disk
Drives PC Audio Software Applications Hard-Disk
Editing Audio for
Video Workstations Chapter 15 - Internet Audio Computer Networks and File Transfers Telephone
Services ISDN Asymmetric
Digital Subscriber Line (ADSL) Computer
Networks ATM MediaNet The Internet and Internet Audio MP3 SDMI Streaming Audio RealAudio G2
Music Codec Audio
Webcasting MPEG-4 Interactivity
Audio Coding Encryption and Watermarking Chapter 16 - Digital Radio and
Television Broadcasting Satellite Operation Digital
Transmission Direct-Broadcast
Satellites Digital Audio Radio Transmission
Methods Spectral
Space Data
Reduction Technical
Considerations Eureka 147/DAB In-Band Digital Radio USA Digital
Radio Lucent
Digital Radio (LDR) Perceptual
Audio Coding (PAC) Algorithm Direct Satellite Radio Digital Television (DTV) MPEG Video ATSC Digital Television ATSC Standard DTV
implementation Chapter 17 - Digital Signal
Processing Fundamentals of Digital Signal
Processing DSP
Applications Discrete Systems Linearity and
Time-Invariance Impulse
Response and Convolution Complex
Numbers Mathematical Transforms Unit Circle and Region of Convergence Poles and
Zeros DSP Elements Digital Filters FIR Filters
IIR Filters Filter
Applications Sources of
Errors DSP Integrated Circuits
A Multimedia DSP Processor DSP Programming DSP Applications Digital Delay Digital
Reverberation Digital
Mixing Consoles Loudspeaker
Correction Noise Removal Chapter 18 - One-Bit Conversion and
Noise Shaping One-Bit Conversion Sigma-Delta
Modulation Idling
Patterns One-Bit D/A Conversion with
Second-Order Noise Shaping One-Bit D/A Conversion with Third-Order
Noise Shaping One-Bit D/A Conversion with Quasi
Fourth-Order Noise Shaping One-Bit A/D Conversion Sigma-Delta
A/D Modulator Decimation
Filter One-Bit A/D Converter Chip One-Bit A/D-D/A Converter Chip Noise Shaping of Nonoversampling
Quantization Error
Psychoacoustically Optimized Noise Shaping
Buried Data Technique Conclusion Appendix - The Sampling Theorem Bibliography Index About the Author
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