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The
University of Miami was the first university to offer a four-year undergraduate
curriculum in Music Engineering Technology (MUE) culminating in a Bachelor
of Music degree, and the first university to offer a two-year graduate
curriculum culminating in a Master of Science degree. Today, the Music
Engineering Technology (MUE) program in the Phillip and Patricia Frost
School of Music ranks among the University of Miami's most prestigious
programs.
After research into appropriate curricula by Ted Crager, Associate
Dean of the Frost School of Music, who determined that a minor degree in Electrical
Engineering was appropriate, the undergraduate degree program was first
offered in 1975. Then as now, the undergraduate program was intended
for musicians who wish to pursue technology careers. The program has
meet NASM guidelines since its inception, and indeed set the NASM standard
for music engineering technology studies. Majors are enrolled in music
lessons and performing ensembles during their four-year study, complete
four levels of music theory, and enroll in a strong complement of other
music courses. In other words, their specialization in technology areas
does not shortchange traditional music studies.
Inaugural program director Bill Porter, a preeminent recording engineer,
emphasized recording studio skills; most early graduates pursued careers
as recording engineers. The second program director, John Woram, editor
of dB magazine and author, expanded the program's scope to include professional
audio; in addition to employment in recording studios, many graduates
pursued careers with audio manufacturers.
The MUE program was founded on the premise that it would teach recording
technology. With the creation of many similar academic programs also
focused on recording technology, and unmet strong demand for audio engineers
with "harder" technology skills, the program expanded its
curriculum to teach other hardware and software skills. The third program
director, Ken Pohlmann, thus further emphasized studies in electrical
engineering and computer science; career options as hardware and software
audio engineers became available. A Master of Science degree was originated
in 1986. A minor in Computer Science was added in 1997 and in 2002 this
option was modified to provide a double major in Computer Science. Current
degree offerings solidify the engineering content in its curriculum,
while maintaining expertise in contemporary recording skills.

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