History of the Program

 

 

The University of Miami was the first university to offer a four-year undergraduate curriculum in Music Engineering Technology (MUE) culminating in a Bachelor of Music degree, and the first university to offer a two-year graduate curriculum culminating in a Master of Science degree. Today, the Music Engineering Technology (MUE) program in the Phillip and Patricia Frost School of Music ranks among the University of Miami's most prestigious programs.

After research into appropriate curricula by Ted Crager, Associate Dean of the Frost School of Music, who determined that a minor degree in Electrical Engineering was appropriate, the undergraduate degree program was first offered in 1975. Then as now, the undergraduate program was intended for musicians who wish to pursue technology careers. The program has meet NASM guidelines since its inception, and indeed set the NASM standard for music engineering technology studies. Majors are enrolled in music lessons and performing ensembles during their four-year study, complete four levels of music theory, and enroll in a strong complement of other music courses. In other words, their specialization in technology areas does not shortchange traditional music studies.

Inaugural program director Bill Porter, a preeminent recording engineer, emphasized recording studio skills; most early graduates pursued careers as recording engineers. The second program director, John Woram, editor of dB magazine and author, expanded the program's scope to include professional audio; in addition to employment in recording studios, many graduates pursued careers with audio manufacturers.
The MUE program was founded on the premise that it would teach recording technology. With the creation of many similar academic programs also focused on recording technology, and unmet strong demand for audio engineers with "harder" technology skills, the program expanded its curriculum to teach other hardware and software skills. The third program director, Ken Pohlmann, thus further emphasized studies in electrical engineering and computer science; career options as hardware and software audio engineers became available. A Master of Science degree was originated in 1986. A minor in Computer Science was added in 1997 and in 2002 this option was modified to provide a double major in Computer Science. Current degree offerings solidify the engineering content in its curriculum, while maintaining expertise in contemporary recording skills.