L. Austin Weeks Recording Studio
The
L. Austin Weeks Recording Studio is a professional audio recording
facility that is the heart of the Music Engineering program at UM. It
has several isolation areas for different types of instrumental performance
needs, including a drum booth, vocal alcove, and sound lock. The main
studio is spacious enough for string sections and other group performance
needs. It features a high ceiling and Baldwin grand piano.
The
control room houses a 48 fader Euphonix
console. The Euphonix System 5 is an all digital board that boasts 24kbit,
96khz recording capabilites and support for 5.1 surround mixing. For details
on the control room specifications, please see the equipment
list. You can also view a partial list of our microphone
selection. There is also an integrated "house sync"
for video, digital multi-track, ProTools and MIDI synchronization.
The studio is used for coursework and hands-on workshops.
Freshman students take workshops on the basics of music recording their
first semester and on studio technology/maintenance their second semester.
During the sophomore year, students take classes where they alternate
between performing and recording songs. During thier sophmore year, students
have the ability to earn a studio license and book their own
studio sessions.
In addition, junior year students learn about audio for video and the
use of the studios synchronization and post-production capabilities.
Junior and senior students can pursue more sophisticated
studio production techniques with a combination of advanced workshops,
their own session work, and also by working on the engineering staff in
cooperation with the jazz and writing/production students. The Weeks Recording
Studio at the University of Miami is truly an ideal place for Music Engineering
students to gain practical hands-on experience in preparation for careers
in the audio and recording industries.
Recording Media
- ProTools 24Mix Plus Hard-disk recorder
- Glyph hot-swappable drive bay
- Alesis ADAT
- CD and DAT recorder
- Power Mac G4 733Mhz with 768MB SDRAM
- Sony APR-24 Analog multi-track
- Sony ARP 5000 Analog 2-track
Monitors
- Mains - Genelec 440A
- Nearfields - Genelec 1030A, Yamaha NS-10, K-Rok, Event
- Yamaha, Westlake and Event near-field monitors
Signal
Processors
- Lexicon 480L
- Lexicon 300
- Eventide Ultra-Harmonizer
- TC Electronic M5000 signal processing unit
- Summit Audio Tube Leveling Amplifiers TLA 100A
- Drawmer gates, noise filters, and spectral compressors
- DBX compressors (166A, 165A)
- Sony M7 and F7 signal processors
- GML model 8200 stereo EQ
- Tube Tech PE1C EQ
- Tube Tech CL 1B compressor
- Eventide clockworks phasor
- Urei 1176 LN Limiter
- TC Electronics Finalizer 96K
MIDI & Video
- Motu Digital Timepiece
- Motu MIDI Timepiece
- Opcode 8 Port S/E
- Logic/Cakewalk Sequencers
- Sony UVW-1806 Beta SP Video Recorder
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